Alone in the Crowd
" Alone in the Crowd " is a sculptural piece that embodies the paradox of our modern existence—a world more connected than ever through technology, yet increasingly characterized by feelings of isolation and disconnection. Standing at 2 meters high and crafted from repurposed copper, this work is a personification of the New Zealand native cabbage tree, a symbol deeply rooted in the natural landscape and cultural heritage of Aotearoa.
The cabbage tree, or ti kōuka, is known for its resilience and adaptability, thriving in various environments across New Zealand. However, in this work, the tree is transformed into a faceless human figure, representing the anonymity and solitude that many experience in today's fast-paced, hyper-connected society.
This piece aims to evoke a deep emotional response, prompting viewers to reflect on their own experiences of loneliness and the ways in which modern life can sometimes disconnect us from the very communities and relationships that should bring us closer together.
"Alone in the Crowd" is intended to be more than just a visual piece; it is a conversation starter, a mirror reflecting the complexities of modern life. The sculpture invites viewers to consider their own sense of place within the larger world and to question how technology has reshaped our interactions with others and with ourselves. It is a reminder that while we are surrounded by people, the true connections that sustain us require more than just digital links—they require real, human engagement.
Forces
“Forces” is a 2-metre high sculpture serving as a personification of the struggles we face in the wake of escalating climate change. This artwork seeks to transcend human-centric perspectives by embodying the broader impact of environmental degradation on all life forms, urging viewers to recognise the interconnectedness of ecological systems.
The sculpture portrays the New Zealand native Cabbage Tree, or ti kōuka, as a resilient but embattled figure, confronting the intensifying forces of nature exacerbated by climate change. Its faceless form symbolises the universal impact of environmental upheaval, transcending individual identities to emphasise the collective vulnerability of all living beings. By centreing on a non-human protagonist, “Forces” prompts viewers to confront the reality that climate change affects every facet of the natural world, not just human civilization.
Crafted from repurposed copper that is hand cut, then shaped and internally brazed in place, the sculpture embodies the ethos of sustainability and resourcefulness, echoing the urgent need for eco-conscious practices in combating climate change.
“Forces” aims to inspire dialogue and action on the pressing issue of climate change, fostering awareness and empathy towards the plight of the natural world. By confronting viewers with the stark reality of environmental degradation, the sculpture challenges complacency and catalyses a sense of responsibility towards preserving the planet for future generations.
“Forces” stands as a powerful testament to the resilience of nature in the face of adversity. By elevating the narrative of New Zealand’s native Cabbage Tree to a symbol of ecological struggle, this sculpture invites viewers to recognise their interconnectedness with the natural world and embrace the imperative of sustainable coexistence and a harmonious relationship with our planet.
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Taut
Repurposed copper on steel frame
2.0m tall, 600mm x 600mm footprint
A lone warrior stands motionless; sharp, alert, and carved in tension. His body coils within itself, spine locked, fingers curled, breath held. A sound behind him, soft, uncertain, splits the night; a twig snapping in the dark.
This is not a sculpture of violence, but of fear.
Not fear in defeat, but fear in vigilance.
The kind of fear we’re told to bury.
Taut is a personification of Te Kōuka - the native cabbage tree - here reimagined again as a symbol of the human condition. Masculine in form, the figure rises two metres tall from a narrow footprint, built from layers of hand-cut, repurposed copper fixed to a robust steel frame. Its size suggests strength; its posture suggests the opposite. The sharply turned head, clenched hands, and taut frame invite the viewer into a moment suspended in time — a reaction to the unknown.
This work speaks to the internal lives of men. To the pressures of stoicism. To the fear that simmers beneath silence, unspoken, unseen, but very much alive. It is a call to the viewer, man or woman, to explore their own relationship with fear, and to make space for it.
Te Kōuka Iti
Te Kōuka Iti is my interpretation of the young kōuka (cabbage tree), one of Aotearoa New Zealand's most recognisable native trees. There is a playful, slightly whimsical quality to these sculptures, inspired by the quirky forms and personalities I see in young kōuka growing throughout the landscape. Their exaggerated proportions and animated stance evoke a sense of movement and character, with a subtle nod to the imaginative world of Dr. Seuss.
I have always been drawn to the individuality of kōuka. No two personalities are ever quite the same. Each bends, twists, and grows in its own way, developing a unique presence and personality. When I look at them, I see individuals rather than trees.
This sense of personification lies at the heart of the Te Kōuka Iti series. Every sculpture is entirely hand-crafted and unique. As each piece evolves, its own character emerges, and it is given a name that reflects the personality I see within it. The name becomes part of the sculpture's identity, acknowledging that no two Te Kōuka Iti are ever alike.
Through these works I celebrate the humour, resilience, individuality, and quiet joy of the kōuka—trees that seem to smile back and dance in the breeze for those who take the time to notice them.
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